Photo credit: Pete Mellekas / click for hi-res version
Photo credit: Pete Mellekas / click for hi-res version
album artwork / click for hi-res version
KRISTIN HERSH DEBUTS NEW SINGLE “CONSTANCE STREET (SINGLE MIX)”
“A fearless rock innovator.”—The New York Times CLEAR POND ROAD TRACKLIST
CLEAR POND ROAD INTERNATIONAL TOUR
NEW ALBUM CLEAR POND ROAD, COMING SEPTEMBER 8 VIA FIRE RECORDS
“Hersh’s tough, instinctive
wail has been one of the
greatest sounds in American
underground rock for decades.”—Stereogum
“Her songs have always
been both confessional and formally challenging; they
expose her, but also evade us, throwing down clues and scurrying into dark thickets before revealing anything more.”—NPR
August 17, 2023—Today, acclaimed indie guitarist and singer/songwriter Kristin Hersh debuts her new single “Constance Street (Single Mix)” from her highly anticipated new album, Clear Pond Road, coming out September 8 via Fire Records. Watch/share the track HERE and pre-order the record HERE.
Of Hersh’s third single from the upcoming album she explains, “I lived on Constance Street in New Orleans when that song’s story happened. Buying slips in the Irish Channel/broken prince in fluorescent camo is a very Southern day. I was born a hick and I guess I’ll always be one.”
The album’s previous releases “Dandelion” and “Ms Haha” have continued to receive critical acclaim. On “Dandelion” Stereogum notes “the song extends, reaches out into the unknown. Its muted backdrop sends our focus to the lyrics, which Hersh delivers with all the eerie intonations associated with a murder ballad, but in this case the crimes are love and hope.”
Hersh wrote, performed and produced Clear Pond Road at Stable Sound Studio. She incorporates strings and ambient field recordings on the record to lushly cinematic effect, with the close-up intimacy and sensory nature of each track culminating in a record that resembles a sonic memoir, or a home movie caught in time. Clear Pond Road is sensuous: a life-affirming statement, a new piece of this mysterious jigsaw, a very personal memoir. From street signs to snapshots, it’s a blossoming of a true icon of independence. The record is both intimate yet expansive.
“Some records demand to be made,” says Hersh. “And you know this is the case when the songs function as systems in a body. I octavized an acoustic baritone as the skeleton, cellos are the lungs, a Nashville-strung Collings and glockenspiel were the fingertips feeling around in this weird-ass dark space, and drums are always your heart, of course…but the vocals are a strange narrator here. A narrator lost in the story, of all things, more like eyes.”
Hersh cofounded Throwing Muses in high school, and after earning a devoted following the group was the first American group to be signed to British label 4AD. Amidst international touring, releasing ten solo albums (multiple independently) and founding her own label, Hersh went on to form the power rock trio 50 Foot Wave and publish 3 books, including her acclaimed memoir Rat Girl. Hersh was one of the first artists to break outside of the traditional label system, using a fan-supported structure to fund her work. She teamed up with British label Fire Records in 2018 around her tenth studio album Possible Dust Clouds where she continues her partnership.
For more information, please contact Krista Williams or Carla Sacks at Sacks & Co., 212.741.1000.
1. Bewitched Reruns
2. Ms Haha
3. Dandelion
4. Constance Street
5. Thank You, Corner Blight
6. St. Valentine's Day Massacre
7. Reflections on the Motive Power of Fire
8. Eyeshine
9. Palmetto
10. Tunnels
September 27 /// Exeter, UK /// The Phoenix Arts Centre
September 29 /// Ramsgate, UK /// St George’s Church
September 30 /// Oxford, UK /// Florence Park Community Centre
September 30 /// Oxford, UK /// Florence Park
Community Centre Matinee Performance
October 1 /// Liverpool, UK /// Philharmonic
October 3 /// Bristol, UK /// Strange Brew
October 4 /// Cardiff, UK /// Acapella Club
October 5 /// Reading, UK /// South Street Arts Centre
October 6 /// Cambridge, UK /// Storey’s Field
October 8 /// Norwich, UK /// Arts Centre
October 9 /// Nottingham, UK /// Metronome
October 10 /// Leeds, UK /// Mill Hill Chapel
October 11 /// Leeds, UK /// Mill Hill Chapel
October 12 /// Manchester, UK /// St Michael’s Ancoats
October 14 /// Glasgow, UK /// Mono
October 15 /// Edinburgh, UK /// Summerhall (Dissection Room)
October 16 /// Newcastle, UK /// Cluny
October 17 /// Newcastle, UK /// Cluny
October 18 /// Hebden Bridge, UK /// Trades Club
October 19 /// Kilkenny, Ireland /// Cleere’s
October 20 /// Galway, Ireland /// Roisin Dubh
October 21 /// Dublin, Ireland /// Pavilion Theatre
October 22 /// Bangor, UK /// The Court House
October 23 /// Dundalk, Ireland /// The Spirit Store
October 24 /// Kendal, UK /// The Old Brewery
October 25 /// Leek, UK /// Foxlowe Arts Centre
October 26 /// Birmingham, UK /// Hare And Hounds
October 28 /// London, UK /// St John at Bethnal Green
October 29 /// Brighton, UK /// Komedia
November 2 /// Brisbane, Australia /// Black Bear Lodge
November 3 /// Canberra, Australia /// Smith’s Alternative
November 5 /// St Kilda, Australia /// Memo Music Hall
November 8 /// Melbourne, Australia /// Northcote Social Club
November 10 /// Newton, Australia /// Vanguard
November 11 /// Katoomba, Australia /// Baroque Room
November 16 /// Wellington, New Zealand /// Meow
November 17 /// Christchurch, New Zealand /// The Piano
November 18 /// Auckland, New Zealand /// Tuning Fork
November 19 /// Waiheke Island, New Zealand /// Artworks